Life and a planet
The panda bends towards the blue stone. A living animal above, an Earth-like shape below: the space between them makes a shared planet a visible relationship.
Hou Yimin · Renowned photographer
A wild panda and a planet-like stone, lit by nature, meet in a single real exposure.
A representative work from years of field photography, bringing wildlife, conservation and photographic form together in one frame.
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The panda archive
The homepage shows just On the Same Planet, inviting you into Hou Yimin's photographic world through one image. The other works remain in this project archive.
© Hou Yimin · Display preview · No unauthorised reproduction
© Hou Yimin · Display preview · No unauthorised reproduction
© Hou Yimin · Display preview · No unauthorised reproduction
© Hou Yimin · Display preview · No unauthorised reproduction
© Hou Yimin · Display preview · No unauthorised reproduction
© Hou Yimin · Display preview · No unauthorised reproductionThe encounter
From 1987 to 1993, Hou Yimin worked in western China's panda reserves, producing around 150 wild-panda photographs and extensive field notes. This work belongs to that sustained practice, not an arranged animal portrait.
According to the artist's account on his original website, the photograph was made on a Nikon FM2 using colour transparency film. The blue shape is a stone reflecting natural light in a stream. He reduced exposure so the water and background fell into darkness, leaving panda and stone as two visual centres. The image was made in a single exposure, not assembled afterwards.
Reading the photograph
The panda bends towards the blue stone. A living animal above, an Earth-like shape below: the space between them makes a shared planet a visible relationship.
Darkness removes distractions, white fur retains the animal's texture and blue reflection opens the imagination. The photograph remains rooted in a real encounter while suggesting a shared world.
Transparency film leaves little exposure latitude, and a wild animal cannot repeat the moment. The image's simplicity comes from decisions about focus, light, timing and composition.
The artist's account
Hou Yimin sees the panda looking towards the blue planet-like stone as a symbol of the Earth shared by humans and other life. Here it is first a photographic work with a specific creation process and historical record, rather than merely a panda emblem.
According to the artist, the work stood for years on the desk of Liu Peng, then head of China's sports administration and executive president of the Beijing Olympic organising committee. Hou recalls meetings in Sichuan, arrangements involving Wang Qing and a production copy collected by Beijing office staff. A ceremony and presentation to the IOC were planned, but, in his account, Wang Qing died in a road accident and the ceremony did not proceed. This is the artist's recollection of preparation and cancellation. The site does not claim that the work was donated or installed; supporting records remain to be verified.
The artist also recalls the photograph being discussed in connection with Beijing's Olympic mascots and believes its shared-planet idea relates to the 2008 slogan One World, One Dream.IOC recordsdescribe the slogan as the result of a public call;Beijing's official mascotswere the five Fuwa, including the panda Jingjing. The connections above are presented as the artist's recollections.
Hou Yimin also recalls declining a request during the 2008 Olympics to produce another copy for a history museum. For him, increased attention does not justify unrestricted reproduction. Each collection or use requires his own decision.
Historical records
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